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Username: mjm

Post Number: 3282
Registered: 11-1998
Posted on Thursday, July 07, 2005 - 9:45 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Honorable Mention
Cinquain Train
Wild Poets

Zephyr:
Please jump
aboard, simple
rules the next cinquain starts
mystical tour which wild poets
complete

Next cinq starts

Complete

Gary Blankenship:
Complete
the magic ride,
join the gay travelers
through their cinquain journey cross
the net.

Denis Garrison:
The net
trembles with the
iambic footsteps of
web-wise spider poets spinning
verses.

Jim Doss:
Verses,
terse curses, what's
the difference between
them when you're trapped in sweet Robbie's
rose bud.

Jim Doss:
"Rose bud"
slips from Orson's
lips as winter explodes
and hunger consumes his astute
pallet.

Gary Blankenship:
pallets
of bright colors -
poetic graffiti
challenges imaginations,
our muse

Jim Doss:
Our muse
is bemused, mute,
hair in flames in fireweed
ditches straining to tell us her
secrets.

Denis Garrison
Secrets
now versified,
these mystic crooners, these
poet legions, march to timeless
anthems.

Jim Doss:
Anthems
from Rimbaud's pen,
Verlaine's ears, Baudelaire's
behind steer us higher, always
starward

Jim Doss:
Starward
through our hellish
season we rise on drafts
of wordlike illuminations,
wings spread.

Gary Blankenship:
Wings spread
across the sky,
poets reach for the stars,
the moon smiles as loose feathers drift
sunward.

Zephyr:
Sunward-
poet's passion
perceives no limit
to what we can conceive, sets life
ablaze.

Christopher T. George:
Wild ride

Orson
interviews me
-- strange to be interviewed
by a dead Hollywood star, wierd!
Rosebud!

Gary Blankenship:
Ablaze,
the forest burns -
lack of water, arson?
Ablaze, my heart burns for your love,
our lust.

Zephyr:
our lust
impaled on hearts
alight with love, soul mates
feel, accept, empower, to be
their best.

Gary Blankenship:
their best
might not be good
enough to overwhelm
our enemies really may be
our friends

Christopher T. George:
One two
buckle my shoe
three four open the door
five six seven eight don't you hate
the end?
Gary Blankenship:
Our friend,
Christopher G,
has not figured the game -
start the next with the last - or he
don't care!

Christopher T. George:
Don't care?!!!
I did not know,
I was blind ignorant.
Now I know the rules I leave you
with this

Jim Doss:
don't care,
nary a half-
life of don't cares passed by
before the steel toothed mind tripped its
bear trap

Gary Blankenship:
bear traps
will catch the most
unsuspecting, so will not
posting rules, leaving Chris caught like
a cub

Christopher T. George:
a cub
I may have been,
a fella in a pub
hung over, so bottoms up, cheers
I say

Gary Blankenship:
I say,
old chap, you are
a good sport, the finest.
If we could meet I would stand you
a round.

Christopher T. George:
a round
thank you for that.
It is absolutely whizzo
of you to stand me to a drink.
Nehi?

L J Cohen
Knee high
tall grass tickles
a grasshopper. The bees
sneeze pollen, buds on bare branches
flower.

Gary Blankenship:
Flour,
powdered sugar
and cinnamon cover
the counters, a grandson baking
cookies

Christopher T. George:
Cookies
PC passwords
encoded in the blood.
It's understood: the camcorder's
watching.

Gary Blankenship:
Watching,
waiting, learning,
experiencing, teaching -
a commercial for Windows or
poems?

Christopher T. George:
Poems
convey secret
messages written in
a language known to few, hidden
from sight.

Gary Blankenship:
from sight,
we blinded see;
from speech, we the mute speak;
from touch, we feel the air and where
you were

Denis Garrison:
You were.
We know because
your hand-carved lines survive.
Poet in, but not of, the dust,
sing on!

Christopher T. George:
Sing on,
singer of streams;
o singer of mountains;
sing on, o singer of heaven,
sing on!

Denis Garrison:
Sing on,
sweet golden-throat!
Let fly your lilting lines
and teach us what the silent heart
can't tell.

Christopher T. George:
can't tell
if we're ended
or not, some wonderful
lines inscribed here, now to edit,
publish?

Zephyr:
Publish-
so folk will learn
what fun we have for free
end anthology - in poets
playpen.

Gary Blankenship:
playpens
built for playmates,
toys for endless scribbles
scattered, time for the kids to fill
toybox

Christopher T. George:
Toybox:
vox humana!
Expunge the toxins now,
let poetry's voice give this out--
where texts are purged, voices silenced,
Sing out!

Gary Blankenship:
Sing out!
Let loose the songs
of poets. hHumanity's
chronicles gives voice countering
tyrants.

Christopher T. George:
Tyrant's
boot that smashes
innocents in the head,
words of false honor, art of lead,
protest!

Gary Blankenship:
Protest?
And look behind
to see no one follows?
Rugged the path protesters take, hard
scrabble.

Kathy Paupore
Scrabble,
square letter tiles
worked into words. There you
found "peace" in the mix on the board,
points earned.

Gary Blankenship:
points earned
for how line five
fits together with one,
something this square too often does
not get

Christopher T. George:
Not ghet-
to, not iron
bars confine the human
spirit, liberty's voice cries out
again

L J Cohen:
Again
I tuck you in,
check for monsters beneath
the bed. These rituals for my
mind's ease.

Gary Blankenship:
Minds ease
as we close in
on the end, our final
sleep natures way to tell us to
slow down.

Christopher T. George:
Slow down,
there's no hurry,
sniff the petunias
and the manure -- life's passing all
too fast.

Denis Garrison:
Too fast
for those in love,
too slow for those in pain:
just so relentless Time measures
our lives.

Gary Blankenship:
Our lives
speed round and round
until the roses smell like
any other and coffee tastes
too sweet.

Dale McLain:
too sweet?
Your lips on mine,
a confection indeed.
Not too anything except gone
too soon.
Kathy Paupore:
Too soon
April gives way
to May. Snow today mixed
with rain. Ash clouds, sun, there - blue sky
it's gone.

Christopher T. George:
It's gone
to seed, all hell
has broken loose, love's lost
in recrimination, distrust
of self.

Gary Blankenship:
"of self"
he wrote and smiled -
the perfect title for his
bio - all twenty years laid out
to read.

Christopher T. George:
To read
of self, he wrote
about his life, reminisced
and recorded; his life will grace
your shelf.

Beau Blue:
your shelf
holds mystical
runes, thrown haphazardly,
revealing an exciting ring
of joy

Gary Blankenship:
of joy,
for happiness -
before you look to stars,
look inward and find the finest
of all

Christopher T. George:
Of all
the opening
lines! A stunning starter,
guaranteed to quiet the crowd,
as now.

Beau Blue:
as now?
as then, it's all
the same sillinesses
clomping thru our literary
jungles

Christopher T. George:
Jungles
of jugulars
jangling the haggling hags
for a literary bijoux
goo goo

Gary Blankenship:
goo goo
gooey moon pies
and Pepper in August
pink crawfish cooked by grandmothers
kids crawl

Christopher T. George:
Kids crawl
under August
moon, fish bite in Loon Lake,
fireflies dance over the meadow,
love stirs.

Denis Garrison:
Love stirs
the boiling pot.
Lust turns up the heat and
pours out fragrantly steaming clouds
as bait.

Gary Blankenship:
as bait
she was a beaut,
she strolled the avenue
always in search of suckers, shills,
cheap thrills

Christopher T. George:
Cheap thrills
-- loud, shrill, rose scent,
a white gardenia
behind her ear, a 38
loaded

Gary Blankenship:
Loaded
to his sideboards,
he staggered down the street;
he knew who he would meet, pockets
empty.

Beau Blue:
empty
pockets promise
hungry children nothing
but more time on harsh city streets
begging

Zephyr:
begging
with haunted eyes,
bodies that fade away
before they stir or touch the worlds
conscience.

Denis Garrison:
Conscience
of the world, speak!
Raise your voice from silence!
Or were your dreams not troubled while
you slept?

Gary Blankenship:
You slept
beneath willows,
I captured the sandman
among camas lakes, beneath Oak's
mistletoe

Christopher T. George:
Mistletoe!
Why should I kiss
your lush lips; you offer
them so easily to each man,
Lilith.

Jim Doss:
Lilith,
where's your Adam
gone, to foreign lands filled
with foreign women searching for
Eden.

John Daleiden:
Eden,
Garden of God,
Adam and Eve browsing,
before knowledge plagued the human
rat race.

Denis Garrison:
Rat race
survivor falls
prey to promised release.
Working hard in leisure land, he
curses.

Christopher T. George:
"Curses
foilèd again!"
quipped Basil to Errol
as he flung his rapier down
and died.

Beau Blue:
And dyed
red, his hair looked
ridiculously camp.
So much so his wife exploded,
"You Beast!"

Jim Doss:
"You Beast!"
What does that mean
in the grand scream of things? I
howl like a wolf, pursue Beauty
with lust.

Christopher T. George:
"With lust,
I trust? I want
nothing less, just throw down
the gauntlet. I like it like that:
blood red!"

Beau Blue:
blood red
fingernails tap
on the kitchen table.
she fumes in her evening dress,
'he's toast!'

Christopher T. George:
He's tossed
on the ocean's
waves, he's lost in the night,
he seldom had the sight of land
since birth.

Beau Blue:
since birth,
he's been in love
with disagreeable
women made kneeweak by cute, hung
wry eyes

Christopher T. George:
Wry eyes,
sarcastic stares!
He walks the catwalk nude;
the women reach out for a piece
of him.

Kathy Paupore:
Of him;
a difficult
begnning, an unsure
interim, untold future with
no end.

Denis Garrison:
No end
to this cinquain
train, this mystery tour.
Poets write like drunks drink, because
they must!

John Daleiden:
They must
write like the sun
must rise when the earth turns--
like the horse must scratch its behind
on trees.

Christopher T. George:
On trees
we stretch our shoes
to make them fit our feet
just as we test words for sense, rhythm,
meter.

Dale McLain:
Meet her?
Of course! His muse
waits in the shadowed place
ready to spoonfeed him new words
tonight.

Christopher T. George:
To knight
his incipient
thoughts as poems, they meet
in a moment of mystery,
magic.

Jim Doss:
Magic
is the name that
holds the key to Rimbaud's
alchemy: red I, blue O, white E--
black dog.

Christopher T. George:
Magic
is the name that
holds the key to Rimbaud's
alchemy: red I, blue O, white E--
black dog.

Gary Blankenship:
From him
to her a note
professing that his love is
for another he meet in France -
Dear Jane.

Christopher T. George:
Dear Jane
it breaks my heart
that I must inform you
I've fallen in love with Michelle
ma belle.

Jim Doss:
Ma Bell
ain't what it
used to be, ain't what it
used to be, ain't what it used to
Ma Bell

Christopher T. George:
Ma Bell
et telephone
sont les mots qui vont très
bien ensemble -- so well together
ring ring!

Beau Blue:
ring ring,
ring ring, ring ring,
and STILL nobody home!
I guess I'm out of luck tonight
dammit

Jim Doss:
Dammit
Hamlet we need
to stop meeting like this.
So much love in Denmark who needs
fathers.

Beau Blue:
fathers
forewarned us, George
not to trust power mad
puppeteers with hidden motives.
"say oil?"

Christopher T. George:
"Say Oyle!"
blusters Bluto
to Olive, "What's Popeye
up to eschewing spinach for
foie gras?!!!"

Beau Blue:
foie gras??!!!
don't tell me, now,
the sailor scarfs that too.
no kind of seaman ever eats
pate.

Zephyr:
Pate was
covered over
by various old wigs
one for each day,underneath he's
quite bald

Denis Garrison:
Quite bald
though she may be,
she's also beautiful.
I'm blinded by the glory in
her eyes.

Denis Garrison:
Her eyes
are eloquent.
She need not speak at all.
Let him who has eyes see and hear
wisdom.

Christopher T. George:
Wisedom:
the place she's born,
down the road from Wisecrack,
in Punning Lane, Big Jest House, Rib
Tickler.

Dale McLain:
Tickler-
a French delight,
but this is too naughty
for Wild I'm afraid, so I'll just
be quiet.

Jim Doss:
Tickl'er
with a feather,
a tongue full of puns, till
she involuntary ecstacizes
in rhyme.

Christopher T. George:
In rhyme,
we channel words
with craft and rhythm in time,
recording the truth of the world's
madness.

John Daleiden:
Madness:
a rogue's deciet--
concealing agenda--
an aberration to obscure
raw truth.

Dale McLain:
raw truth,
tough to swallow.
Perhaps a side of lies
washed down with smoke and mirrors would
taste sweet.

Christopher T. George:
Tout suit,
taste raw defeat,
smoked salmon, chutney, lox,
keep the lies and excuses to
yourself.

Dale McLain:
your self-
righteous picnic
might prove a lonely place.
Atop that thorny hill you might
just choke.

Denis Garrison:
Just choke
back those huge tears,
my crocodilian friend.
Let this picnic end with us all
alive.

Christopher T. George:
A live
eel in your pants,
a ferret up your shirt,
my best for your birthday, happy
returns.

John Daleiden:
Returns
to the sender:
no such addess or zone--
don't send me another letter--
I'm gone.

Denis Garrison:
I'm gone
but not forgot--
they remember to look
for me night and day, humorless
victims!

Christopher T. George:
Victims
are dead but not
forgotten, memories
live on, the old crimes reenact
through time.

Dale McLain:
Through time
and memory
runs a long crimson thread
sewn through the hearts of those we love
always

John Daleiden:
Always
lock doors at night,
turn the heat down, lights off,
check under the bed for burglers--
then sleep.

Christopher T. George:
Then sleep
perchance to dream,
each night we drift away
from reality, hoping for
release.

Kathy Paupore:
Release
comes with spring growth;
buds burst, pods pop. Flowers
clutch wind, leaves grasp sky, everything
begins.

Denis Garrison:
Begins
the same old dance,
new life! Yadda, yadda.
What a Spring it would be with no
green things!

Christopher T. George:
Green things
invade my dreams:
a dream of green beings,
Jolly Green Giant and Jolly
Green Wife!

Zephyr:
Green wife's
green fingers coax
heavy blossom to bough,
fruit on the vine that matures as
fine wine.

Christopher T. George:
Fine whine
to some, fingers
of whisky for others,
a cup of forgetfulness, pass
the grog.

Zephyr:
The grog,
beer watered down -
rumbustion, pirate's
currency - rum, often traded
at sea.

Dale McLain:
At sea
my heart's map spreads
before me, clear and true.
I remember my way, at last,
to you.

Christopher T. George:
To you
it is a small
matter, to me, it's all:
how we see things, or we fail to
see them.

John Daleiden:
To you
I pledge my troth,
undying faithfulness
until a more beautiful lass
kisses me.

Christopher T. George:
Kiss me
at the crossroads;
here the road birfurcates,
we must decide which path to take,
or part.

Dale McLain:
Or part?
Geeze Chris! It's tough
to start a cinq with "or"
in fact, I fear it can't be done.
Oh, well...

John Daleiden:
Oh! Well...
...if I had known
you were the bold masked thief
I would have kissed and told; lethal
my love.

Christopher T. George:
My love
is like a red
red rose: thorny beauty!
Handle with care, cherish with all
my strength!

Dale McLain:
My strength
depends on this
fragile peace that teeters
on the edge of loss and regret,
so near.

Denis Garrison:
My strength
for a horse! Wait...
Now, that's not right, is it?
Am I in the right line? Is this
Tuesday?

Denis Garrison:
So near
and yet so close.
Wait...that's not right either.
I should be in the other line
today.

Christopher T. George:
Today
is the day that
followed yesterday, that
much I am certain of, or think
I am!

Jim Doss:
I am
what when how why
all baked up in a pie
that Humpty Dumpty couldn't piece
together.

Zephyr:
Conjoin
makes two not three
syllables, will that do?
come on Jim, nice cinq, but stick to
the rules!

Christopher T. George:
The rules
are made to be
broken some might well say
also called syllables not all
counted

Zephyr:
Counted
pieces Humpty
could not put together
oh how foolish, silly me,who
forgot!

Christopher T. George:
Forgot?
Oh, not forgot!
Surely you're remembered
in the heart, hallowed sepulchre
of love.

Dale McLain:
Of love
I grow weary
but of cinqs I do not.
They always amuse and amaze
I say!

Christopher T. George:
I say,
I say, I say,
what do the cinq and lim-
erick have in common? Both crack
us up!

Zephyr:
Jus' ups
and downs conspire
to fire muse and poet
wires her head to crack open life's
bubbly.

Jim Doss:
Bubbly
heads can't count
how many straight or crooked
fingers the man in blue holds up,
tipsy.

Christopher T. George:
Tip Sy?
Why should I do?
What's Sy done in the last
hundred years for humanity,
for us?

Denis Garrison:
For us,
to rhyme's a crime;
no meter either here!
The form's the norm; make it work in
five lines!

Dale McLain:
Five lines
is just enough
for me to have my say.
If you believe that, my reader
you're not!

Christopher T. George:
You're not
serious? Or
maybe you are! Thrashing
about in the dark, searching for
the key!

Zephyr:
The key
turned in the latch
by poet's muse works best
kept well oiled, writing off-the-cuff
cinquains.

Christopher T. George:
Cinquains
running uphill,
puff puff the old steam train:
do poets begin to run out
of steam?

Denis Garrison:
Of steam,
a surplus, friend!
Never met a poet
who could not outlast a train - on
coffee!

John Daleiden:
Coffee--
cinquain licquor
distilled, cyber essence--
cosmic titilation, soaring
comet.

Christopher t. George:
Co-fee!
That is the thing
we've to worry about!
The docs and the insurers make
us sick!

Christopher T. George:
Come, it
is up to us
to provide mankind with
poetry to arrest our sad
decline.

Denis Garrison:
Decline
not, O poets!
Write the salvation of
the world in burning lines and wise
stanzas!

Christopher T. George:
Stan Sass,
worthy poet!
Write now in the footsteps
of Frost, Whitman, Shakespeare, Shelley!
Write well!

Denis Garrison:
Write well
or not at all...
well, write on anyway!
The line's the thing, the message is
just play.

Christopher T. George:
Just play!
After all, it's
Friday -- time for poets
to let our imaginations
sail free!

Dale McLain:
"sail free"-
so read the ad.
I knew there'd be a hitch.
I'm peeling potatoes. Damn
Navy!

Christopher T. George:
Nay, V,
I never said
poems will save the world
but we can try to give it our
best shot.

Denis Garrison:
Best shot
in the contest
gets to be the target.
Hateful Fate is best tempted by
success.

Christopher T. George:
Success
always evades
those who try ever hard
to entertain their muse -- a harsh
mistress.

Dale McLain:
Mistress
of a sultan,
or so her sweet dream goes.
Reality offers no such
delights.

Christopher T. George:
Delights
of the Levant
brought to my tent each night!
I will no longer hunger for
her lips.

Christopher T. George:
Her lips
charm me! And her
shining face, her cheekbones,
eyelashes, all mesmerize me!
Harm me!

Gary Blankenship:
"Harm me,"
cried the lovers.
"Give us your rejection."
(that we may look for another
victim.)

Christopher T. George:
"Victim,
Victor? I shan't
be your victim, go find
another vixen to be one,"
she snarled.

Dale McLain:
She snarled
and he nipped her
as the pearly moon rose.
"Is this love or war?" she wondered.
Who cares?

Gary Blankenship:
Who cares
whether sailors
dive under the oceans
to find it empty of oysters
and pearls?

Christopher T. George:
And pearls
for eyes, oyster
shells for lips, seaweed hair?
Metaphors scurry down the beach
like crabs.

John Daleiden:
Like crabs
in roiling foam
at sea-side we scuttle;
when will the hurly-burly end
our life?

Gary Blankenship:
Our life -
pastel crayon
in a box of charcoal.
primary oils drip on the floor,
fading.

Christopher T. George:
Fading,
as life's last hold
releases its grip, we
count the ways that love entertained
us so.

Dale McLain:
Us- so
incredible!
We cinq to high heaven
and ride the rails to the town of
Verbose!

Gary Blankenship:
Verbose
as Congressmen
hustling votes at the fair,
silent as frozen lava flows,
as snow.


-END-

Honorable Mention
Sandhill
Seaandbell

and the sand hill on which I sit
has seen this valley form and reform
a thousand years or so,
its nothing to the sand

during which time I was married,
bore children,
divorced

the sand hill thinks nothing of this
for this, in its long dream, was only a sage
or two, a flock of crows
passing the midnight clouds
spun in the soft silver
of time

yet for me, it was everything.
The sand, wisely, says nothing
knowing there was nowhere else for us to go,
nothing to do
but simply to be.

2. Mountain

From here I see the mountain
creviced, the tears of
a million rains
washed down its skull.
Marriages are like this,
cisterns where souls are buried.
The tears wash down certain passages
and form gullies, places where
there are hard feelings
or impossible cliffs.
They resist.
Eventually there is a skeleton,
dead bones bared by that which once was,
formed by what could never be.

3. Dreams

The houses bite the hill, hordes
of small stucco fleas.
The roofs are papered with money
but inside they are nothing.
Hard shells, so empty.
Inside they wage battle.

I had one once, too, and also I fought
thinking there was something to be
won or lost.
But it was all just a dream,
bitten by reality,
cased in stucco,
unable to move.

4. Speaking

It's easy for me to speak
from the top of the present mountain,
to form opinions about the life we made
strewn with babies
stones, money,
and the relifious belief upon which
the tablatures of our morals were written
now buried under the mud.
Its easy for me to say,
less easy to believe.

5. Dreams

and the soft footing of dreams
shifted in the day,
the wind changed shape and grew
bright roots or
sometimes thorns
left carelessly on the hill,
tangled, like crosses
that scratch the passing clouds.

6. The End

Of such were the children,
formless yolk,
of such were the cars
rusted into the autumn hills.

of such were the papers we signed,
those which had nothing to say,
only finality and tears
to wash down the canyons
and make new ribs
on which others will build.
Of such were all of these.

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